Le guet des Orfèvres (Les annales du Dique-monde, Tome 15) by Terry Pratchett

By Terry Pratchett

« Engagez-vous dans un métier d’homme ! Le Guet municipal a besoin d’hommes ! »
Mais le Guet de nuit se retrouve à l. a. tête d’une strength comprenant le caporal Carotte (techniquement un nain), l’agent Bourrico (réellement un nain), l’agent Détritus (un troll), l’agent Angua (une femme... los angeles plupart du temps) et le caporal Chicque (mis au ban de touche de l’humanité pour tacles dangereux).
Or le mal est à pied d’œuvre, il y a du meurtre dans l’air et du vilain dans les rues.
Et il vaudrait mieux que l’affaire se règle avant midi, heure à laquelle le capitaine Vimaire prend officiellement sa retraite, rend sa plaque et se marie.
Comme il s’agit d’Ankh-Morpork, à midi pétant, ça promet de sentir drôlement mauvais.

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Le guet des Orfèvres (Les annales du Dique-monde, Tome 15)

« Engagez-vous dans un métier d’homme ! Le Guet municipal a besoin d’hommes ! »
Mais le Guet de nuit se retrouve à los angeles tête d’une strength comprenant le caporal Carotte (techniquement un nain), l’agent Bourrico (réellement un nain), l’agent Détritus (un troll), l’agent Angua (une femme. .. l. a. plupart du temps) et le caporal Chicque (mis au ban de touche de l’humanité pour tacles dangereux).
Or le mal est à pied d’œuvre, il y a du meurtre dans l’air et du vilain dans les rues.
Et il vaudrait mieux que l’affaire se règle avant midi, heure à laquelle le capitaine Vimaire prend officiellement sa retraite, rend sa plaque et se marie.
Comme il s’agit d’Ankh-Morpork, à midi pétant, ça promet de sentir drôlement mauvais.

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Extra info for Le guet des Orfèvres (Les annales du Dique-monde, Tome 15)

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6 The participants were 6. We do not consider the results of the dialogic/non-dialogic punch lines in this article. They will be the subject of ulterior publications. 41 42 Salvatore Attardo, Lucy Pickering, and Amanda Baker told that they should tell one another their respective joke and that they should continue talking for five or ten minutes, until told to stop by the person in charge of the experiment. They were given the option of continuing to tell jokes or to talk about anything they wanted.

A. 2009. “Factors in the recognition of vocally expressed emotions: A comparison of four languages”. Journal of Phonetics 37: 417–435. Rockwell, P. 2000a. “Lower, slower, louder: Vocal cues of sarcasm”. Journal of Psycholinguistic Research 29: 483–495. Rockwell, P. 2000b. “Actors’, partners’, and observers’ perceptions of sarcasm”. Perceptual and Motor Skills 91: 665–668. Rockwell, P. 2005. “Sarcasm on television talk shows: Determining speaker intent through verbal and nonverbal cues”. In A. Clark (ed), Psychology of Moods.

3 A note on the coding of humor and humor support Generally, the production of humor to support humor is a well-documented phenomenon. However, when coding a turn for analysis it is important to distinguish between humorous turns of humor supports and non-humorous turns of humor support. 42 C 293 294 // YEAH [232–204] [71] (M. 7 The joke is followed by a pause and by shared laughter, which is a form of support (Hay 2001). Then Marina produces an ironical supportive turn: “No kidding”. This is followed by a supportive turn by Carmen “Yeah”.

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