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Rhetoric, Page 2

Rhetorical Style: The Uses of Language in Persuasion by Jeanne Fahnestock

By Jeanne Fahnestock

A complete advisor to the language of argument, Rhetorical Style bargains a renewed appreciation of the persuasive energy of the English language. Drawing on key texts from the rhetorical culture, in addition to on more recent methods from linguistics and literary stylistics, Fahnestock demonstrates how note selection, sentence shape, and passage development can mix to create potent spoken and written arguments. With examples from political speeches, non-fiction works, and newspaper experiences, Rhetorical kind surveys the arguer's concepts on the observe, sentence, interactive, and passage degrees, and illustrates the iconic usefulness of rhetorical stylistics in studying and developing arguments.

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On Beyond Living: Rhetorical Transformations of the Life by Richard Doyle

By Richard Doyle

What do biologists learn after they learn "life" this day? Drawing on instruments from rhetoric and poststructuralist conception, the writer argues that the ascent of molecular biology, with its emphasis on molecules similar to DNA instead of organisms, used to be enabled through an important rhetorical "softwares." Metaphors equivalent to the genetic "code" made attainable a metamorphosis of the very notion of lifestyles, a change that regularly casts organisms as details systems.

With cautious readings of key texts from the historical past of molecular biology—such as these of Erwin Schrödinger, George Gamow, Jacques Monod, and François Jacob—the writer maps out the complicated relatives among the practices of rhetoric and the technoscientific triumphs they followed, triumphs that strengthened a "postvital" biology that more and more elides and questions the boundary among organisms and machines.

There were many renowned books, and some educational ones, at the Human Genome projects. On past Living is a family tree of those projects, a map of the way we have now come to equate people with "information." Melding modern idea with clinical discourse, it truly is sure to impress dialogue (and controversy) within the fields of cultural reviews, conception, and technological know-how with its penetrating inquiries into the family among rhetoric and technoscience.

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The Future for Creative Writing by Graeme Harper

By Graeme Harper

This is a compelling examine the present country and destiny course of artistic writing through a preeminent pupil within the field.

  • Explores the perform of artistic writing, its position on the earth, and its influence on contributors and communities
  • Considers the method of artistic writing as an artwork shape and as a method of communication
  • Examines how new expertise, particularly the net and mobile phones, is altering the ways that artistic paintings is undertaken and produced
  • Addresses such themes as writing as a cultural creation, the schooling of an artistic author, the altering nature of verbal exchange, and varied attitudes to empowerment

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Remediation: Understanding New Media by Jay David Bolter, Richard Grusin

By Jay David Bolter, Richard Grusin

Media critics stay captivated through the modernist fable of the recent: they suppose that electronic applied sciences resembling the realm huge net, digital truth, and special effects needs to divorce themselves from previous media for a brand new set of aesthetic and cultural ideas. during this richly illustrated learn, Jay David Bolter and Richard Grusin provide a thought of mediation for our electronic age that demanding situations this assumption. They argue that new visible media in attaining their cultural value accurately by way of harking back to, rivaling, and refashioning such prior media as point of view portray, images, movie, and tv. They name this strategy of refashioning "remediation," they usually word that past media have additionally refashioned each other: images remediated portray, movie remediated level creation and images, and tv remediated movie, vaudeville, and radio.

In chapters dedicated to person media or genres (such as desktop video games, electronic images, digital truth, movie, and television), Bolter and Grusin illustrate the method of remediation and its significant kinds or thoughts: obvious immediacy and hypermediacy. every one of those techniques has a protracted and complex heritage. A portray by way of the seventeenth-century artist Pieter Saenredam, a photo via Edward Weston, and a working laptop or computer process for digital fact are all makes an attempt to accomplish obvious immediacy by way of ignoring or denying the presence of the medium. A medieval illuminated manuscript, an early twentieth-century photomontage, and today's buttoned and windowed multimedia purposes are situations of hypermediacy--a fascination with the medium itself. even though those techniques look contradictory, they're in truth the 2 worthwhile halves of remediation.

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Representations: Doing Asian American Rhetoric by LuMing Mao, Morris Young

By LuMing Mao, Morris Young

Asian American rhetorics, produced via cultural touch among Asian traditions and US English, additionally include a dynamic impact at the cultural stipulations and practices in which they circulate. notwithstanding continually attention-grabbing to linguists and "contact language" students, in an more and more globalized period, those topics are of curiosity to students in a widening variety of disciplines—especially these in rhetoric and writing stories. Mao, younger, and their individuals suggest that Asian American discourse will be obvious as a spacious shape, one who intentionally and selectively accommodates Asian “foreign-ness” into the English of Asian american citizens. those authors supply the concept that of a dynamic “togetherness-in-difference” on the way to theorize the touch and mutual effect. Chapters the following discover a wealthy variety of histories, theories, literary texts, and rhetorical practices. jointly, they circulation the scholarly dialogue towards a extra nuanced, higher balanced, significantly proficient illustration of the sorts of Asian American rhetorics and the cultural paintings that they do.

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Feminism Beyond Modernism (Studies in Rhetorics and by Professor Elizabeth A. Flynn

By Professor Elizabeth A. Flynn

False impression and denigration of postmodern feminism are common. Elizabeth Flynn’s Feminism past Modernism involves its safeguard in a cogent and astute demeanour through first distinguishing among postmodern and antimodern feminisms after which reclaiming postmodern feminism via reconfiguring its dating to modernism. Too frequently postmodern feminism is unfairly pointed out in preference to modernism and linked to subjectivism and relativism. Flynn addresses those difficulties through provisionally defining postmodern feminism as problematizing and critiquing modernism with out at once opposing it. Flynn additionally means that feminist traditions that reject modernism, equivalent to radical and cultural feminisms, are antimodern instead of postmodern. In this interdisciplinary examine, Flynn defines feminist traditions generally, situating her discussions in the contexts of literary reports and rhetoric and composition whereas at the same time exploring the dating among those fields. Departing from authorised definitions of modernism, Flynn distinguishes among aesthetic modernism and Enlightenment modernism and makes use of the paintings of John Locke, Sigmund Freud, Charlotte Perkins Gilman, Michel Foucault, Donna Haraway, and others as benchmarks for old placement. moreover, rereadings of works through Virginia Woolf, Adrienne wealthy, Alice Walker, Louise Rosenblatt, and others reveal the complicated ways that they reply to modernist pressures and developments. From this context, Flynn’s Feminism past Modernism reconfigures feminist traditions by means of defining postmodern feminism as a critique of modernism instead of as an antimodern opponent.  

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Author Unknown. On the Trail of Anonymous by Don Foster

By Don Foster

From the professor who invented literary forensics—and fingered Joe Klein because the writer of Primary Colors—comes the interior tale of the way he solves his so much not easy cases
Don Foster is the world's first literary detective. understanding that everyone's use of language is as precise as his or her DNA, Foster built a innovative method for deciding upon the author in the back of virtually any nameless record. Now, during this spell binding booklet, he explains his innovations and invitations readers to sit down by means of his aspect as he searches a mysterious textual content for the clues that whisper the author's name.
Foster's exact abilities first got here to gentle whilst a front-page New York Times article introduced his discovery formerly unattributed poem was once written via Shakespeare. a number of weeks later, Foster solved the secret that had obsessed the USA for months whilst he pointed out Joe Klein because the writer of Primary Colors. Foster additionally took on a case regarding the...

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Speech and Thought Presentation in French: Concepts and by Sophie Marnette

By Sophie Marnette

This e-book analyses and describes Speech and inspiration Presentation (S&TP) in French from a vast theoretical viewpoint, construction bridges among linguistic, stylistic and narratological frameworks that experience formerly been constructed individually. It combines the French théorie de l’énonciation and assorted Anglo-Saxon ways of stated discourse right into a harmonious complete, for you to create a brand new and intriguing paradigm for our notion of S&TP thoughts. Basing its findings on genuine corpora and going past the canonical different types of pronounced discourse, it exhibits that the research of S&TP recommendations is key to our realizing of phenomena as various because the evolution and categorization of literary genres, the creation and staging of ‘orality’ in literature, a number of the conceptualizations of the inspiration of ‘Truth’ in fiction and non-fiction, the expression of issues of view in narrative, the structuring of rhetorical ideas and the development of the ‘Self’ as opposed to the illustration of the ‘Other’ in discourse.

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